So, I've been thinking a lot -- as usual -- about the DC Comics revamp (coming Aug. 31 with
Flashpoint #5 and
Justice League #1), and I'm generally pleased by what I see taking shape not only in the first month of the relaunch but in the second and third months as some miniseries come to light. The First Wave series (integrating Doc Savage and The Spirit into a shared world with a gun-toting Bat-Man) seems gone, but
T.H.U.N.D.E.R. Agents will be returning and
Astro City will become an ongoing in its own previously established continuity. The
The Huntress, The Shade and
My Greatest Adventure mini-series add new layers to the onion, as does
Legion: Secret Origins.
Again: Only in comic books are superhero stories "mainstream," with straight-ahead character dramas, comedy, romance, Westerns, biography, science, sports, true crime, etc., relegated to the "alternative" label. DC spokespeople have speculated that
All-Star Western (an oversized book with an ongoing Jonah Hex lead feature plus backups) will prove to be the most under-ordered of the 52 ongoings in the initial wave -- that Jonah Hex's relocation to a postbelllum Gotham City will lay historical groundwork for the modern Batman books and other bits of the DC Universe and thus make it enticing to people who don't normally read Westerns.
Much of the buzz I've seen involves books that have roots in the 1990s and early 2000s -- the Milestone (
Static Shock) and WildStorm universes' integration into the DC Universe (
Stormwatch, Voodoo, and
Grifter), but also books whose characters went into Vertigo (
Swamp Thing, Animal Man, several characters in
Justice League Dark) or seemed geared that way (
Resurrection Man, the title whose revival most surprised me).
The announcement that there's a
Chase collected edition coming soon -- something for which groundwork was probably done well in advance of the recent debate about women's representation in the pages and in the credits boxes -- and the recent reprinting of some (maybe all?) of Marv Wolfman and Gene Colan's
Night Force has me thinking about what else might be in the pipeline. Here are things I'd love to see DC Comics tackle soon:
1.) A modern Justice Society of America book and WWII-era All Star Squadron title, using the "masked men and women of mystery largely written off as urban legends or isolated kooks" idea
I've advanced before. Rumors of a James Robinson and Nicola Scott JSA book would make me very happy if they came true; it's also worth noting that
The Shade as a character worthy of a 12-issue miniseries almost requires that there be a Starman (or a Starman legacy) acting in tandem. I maintain that in a truly integrated universe merging the DC, WildStorm, and Milestone universes,
Icon -- rocketed to Earth, raised from infancy by slaves in the American South before the Civil War, and on a power level with Superman, and in the modern day a wealthy black conservative businessman when not in uniform, whose partnership with a teenage single mother (and much more liberal) sidekick named Rocket creates conflict -- MUST be a member of the Justice Society/All-Star Squadron.
2.) Ending books that I'd like to see come back include
Secret Six, Zatanna, and
Xombi -- all by their current creative teams. (See my own personal
"Dream New 52" here -- which hadn't included Zatanna, but I've heard enough good about her ending series to want her in a solo book.)
3.) Take a look a little farther back than the 1990s and early 2000s. There was some crazy creativity brewing at DC Comics in the 1980s and 1990s written by people NOT named Alan Moore and Frank Miller, ya'll. And I think there are things there which could be revisited for compelling stories here and now -- even if, in some cases, the original books weren't explicitly tied to the DC Universe. For example, John Ostrander made good use of the titular character from
Jemm, Son of Saturn in his
Martian Manhunter series early in the new millennium; and the
Sun Devils concept has popped up in
Booster Gold and
Time Masters (all of them with Dan Jurgens on art).
a.) The various Green Lantern-related books (including Pete Milligan's
Red Lanterns book) could be joined by revived
Omega Men and
L.E.G.I.O.N. books (in the latter case, the existence of
Legion Lost with a team stuck in the 21st Century might prompt DC to instead title it
R.E.B.E.L.S. yet again). Or, Dan Jurgens could insert
Sun Devils into the DCnU. There was another DC miniseries from the 1980s titled
Spanner's Galaxy -- which had the bonus of a strong female lead character -- that could be worth another look if it wasn't creator-owned. (
E-Man and
Spanner's Galaxy writer Nick Cuti is still available for work, as are
Sun Devils authors Gerry Conway and Roy Thomas. Just sayin'.) And, if Warner Brothers attorneys could make it work,
Atari Force, even if under a different name -- which, given that DC is owned by Time Warner and the defunct Atari company was then owned by Warner Communications, would seem to be a less insurmountable challenge than Marvel faces with
Rom the Spaceknight.
b.) If you've never heard of a 1980s DC title called
Thriller, go read about it at Wikipedia. I've never read it. The book was direct-market-only at a time when newsstand distribution still existed, and the closest direct-sales outlet was two hours away from me, so I missed it. But the premise (a team of pulp heroes 50 years in the future, led by a disembodied spirit, including a synthetic man turned priest, with a second-generation Elvis clone in the supporting cast) SOUNDS fascinating, ahead of its time, and just crazy enough that it could have worked ... though there were apparent interpersonal conflicts that led to the departure of first its writer, then its artist, then five issues by new creators before cancellation. Again, a female lead -- one who sounds like she could have possibly had echoes in Warren Ellis' creations of Jenny Sparks or Elijah Snow at WildStorm.
c.)
Ragman. I really liked the interpretation that his suit was a golem made of cloth. Golems are cool. (Any chance
Michael Chabon could write it?)
d.) DC Comics is short for "Detective Comics." We deserve an ongoing detective, spy, vigilante anthology -- not quite at the Mature Readers level, but the next step down on DC's in-house rating scale. Rotating ongoing features would include, at a minimum, The Question (
Vic Sage or
Renee Montoya) in the present, something akin to
Sandman Mystery Theatre (with Wesley Dodds), and
Nathaniel Dusk (star of two '80s miniseries by Don McGregor and Gene Colan) set in his 1930s prime -- maybe two out of those three features running at any time with a third standalone story picked from the vast assortment of DC characters who'd fit the bill: Ghostly Ralph and Sue Dibney in "Ghost of a Thin Man" adventures,
Slam Bradley,
King Faraday,
Sarge Steel, the Kate Spencer
Manhunter, any of the various folks named Vigilante or Crimson Avenger, Max Allan Collins and Terry Beatty's
Wild Dog,
Jonny Double,
Nemesis (Tom Tresser),
Gotham Central, Deathwish (from Milestone's
Hardware) ... you get the idea.
e.
Nightrunner. I haven't read anything with this character, but an Algerian Sunni French Muslim living in Paris and deputized as part of Batman Incorporated -- it generates its own publicity and irritates people whom I love seeing irritated. (Every time a Tea Party member cries, an angel gets its wings. True fact.)
f.
El Diablo. I refer specifically here to Rafael Sandoval, star of the book by Gerard Jones and the late, great Mike Parobeck in the late 1980s and early 1990s. A rookie city councilman in Dos Rios, Texas, Sandoval fought drug smugglers, a serial killer, and human traffickers along the U.S.-Mexico border. Deputize him as a member of Batman Incorporated and give this man a second shot in the limelight. (Chief Man-of-Bats and his son, Red Raven, could be guest stars or have a second feature.)
g.
Amethyst, Princess of Gemworld. Many others have written more eloquently than I could about this character, a "chosen child" of mystical destiny who pre-dated Harry Potter by 14 years. She shares the same child-turning-into-powerful-adult meme as Captain Marvel but with a bit more haunted feel that is more attuned to the DC Universe as a whole than the Marvel Family. That said...
h.
S!H!A!Z!A!M! could work in a contemporary setting where
Shazam! has not. Geoff Johns' re-imagining of the
Marvel Family in
Flashpoint was an inspired bit of insanity -- six children who, by calling the wizard's name, invoke the hero Captain Thunder (which rids us of the competition's name in a major hero's title as well). It even makes Mr. Tawky Tawny fit the overall mood of the DC Universe better than he ever has. So it's worth a try.
I still, for the record, think the only
Supergirl worth the name since the original Kara Zor-El died in
Crisis on Infinite Earths was the
Linda Danvers version written by Peter David (who used that character -- off the record -- to launch his
Fallen Angel series). As such, I still think DC would have been better served by using this opportunity to restore Kara's heart and soul -- have her appear sometime after the events of the new
Action Comics #1 but before the events of the new
Superman #1 and let her be a founding
Teen Titan with the original Robin, Kid Flash, Aqualad, Wonder Girl, and Speedy,
and best friend to
Barbara Gordon. Missed opportunity.